Ringenberg
makes a gentle folk album
Chattanooga Times / Chattanooga Free
Press
February 14, 2001, Wednesday
Copyright 2001 Chattanooga Publishing Company
NASHVILLE -- The thin man in the cowboy hat is stapling posters to
telephone poles, like dozens of other aspiring musicians do every
day to advertise their performances. But this is a local legend.
Jason Ringenberg is the lead
singer of Jason & the Scorchers, the band that first jammed together
punk rock and honky-tonk country music in the 1980s. After a failed
attempt to break into mainstream country music eight years ago, Ringenberg,
42, is showing a different side with "A Pocketful of Soul,"
a gentle album of folk music.
"It's an interesting record
for me personally because I didn't have any expectations going into
it," says Ringenberg, who has put down his staple gun for an
interview at a coffeehouse. Many of the songs weren't meant to be
on a record. Ringenberg wrote the title track as a birthday gift for
his wife.
The album's highlights include
"The Price of Progress," a song about how a stubborn farmer
reacts when the Tennessee Valley Authority demands he leave his home
so a dam can be built. On "Last of the Neon Cowboys," Ringenberg
tips his hat to country music singers he knew in the '80s who never
made it out of the bars.
"He's the last of the neon
cowboys/He's looking a little thin/But when the music starts/He'll
give all of his heart to make you believe again," Ringenberg
sings. "Now he doesn't gauge himself on things that you can see/The
perfect fleeting moment is all he wants to be."
Ringenberg says he'd be flattered
if such a song were written about him. Raised on a hog farm in Sheffield,
Ill., he's certainly as country as any of the older generation of
honky-tonk singers.
"This is the honest truth,"
he says. "My dad still farms there. My grandpa farmed it. It
actually did border on the Rock Island Line railroad tracks. I learned
to play harmonica walking down those tracks."
Raised on the music of Hank Williams
and Woody Guthrie, and energized by punk rock, Ringenberg moved to
Nashville with a plan. "I had it in my mind to take rockabilly
and folk music and country and just radically kick it into the punk
world," he says.
Starting with the "Reckless
Country Soul" four-song EP, Jason & the Nashville Scorchers,
as the Scorchers were known then, created the "cowpunk"
movement that is still felt in country and rock 'n' roll. Bands like
the Kentucky HeadHunters, the Georgia Satellites and Lone Justice
were influenced by the Scorchers. But the band, despite some near-misses,
never fulfilled its commercial promise.
The Scorchers last released an
album, a live effort, in 1998. People still pack clubs to see them
when they tour, but Ringenberg is uneasy about the possibility of
becoming a nostalgia act. "That is on my mind a lot because the
audience is getting so much older," he says. "The band at
this point can be an automatic pilot thing."
In 1992, Ringenberg tried to
break into mainstream country music with a solo album on Capitol,
which failed. "I was just grasping at straws," he says.
"At the time, it made a little bit of sense to a few people.
You had the Kentucky HeadHunters, who had success. Mary Chapin Carpenter
had big success. So there were these little glimmers of hope that
maybe I could work in the mainstream. In retrospect, it's an absolute
impossibility."
Ringenberg supports his family
with carpentry work and with Scorchers' tours. He created his own
label, Courageous Chicken, for "A Pocketful of Soul." "The
whole lesson I've learned in the last couple years is there's no point
in fighting it or trying to do anything else. I am a musician and
I'm going to do it. It's that simple."
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2000-2001
Chattanooga Publishing Company
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