Mike Blur's
Interview with Jason Ringenberg, December 18, 1999
............................
KJHK, Lawrence, Kansas 8 PM. 25 minutes.
Copyright 1999-2001 KJHK
Mike:
Jason? Can you hear me over the phone?
Jason: I can hear you, Mike!
Mike: Oh, okay. I initially tried to do
it over the air, but I guess it doesn't work that way, so I just picked
up the receiver. So, the song I just played was "I Can't Help
Myself."
Jason: Yeah, that'll wake you up in
the morning!
Mike: Yeah! Off your first EP, "Fervor,"
released in what - 1982 or '83?
Jason: 1983, that was released.
Mike: Okay. Initially on the Praxis label,
right?
Jason: That's correct.
Mike: And, one of the personal details
about the Fervor EP that intrigues me is that you thanked KJHK on
the record itself.
Jason: That's right. KJHK gave us
our first number one record in the entire world, on Reckless Country
Soul, which was our first little EP we had out, in 1982. And that's
why we thanked it.
Mike: Oh, awesome.
Jason: It always was a neat place.
Whenever we played Lawrence, we'd stop by the station, and talk to
whoever was around. It was great fun.
Mike: And what are your memories of Lawrence,
as far as the early days? Oh, let's say, about 1982, '83, or '84?
Playing Off the Wall Hall?
Jason: Well, yeah, I mean, the first
road trip that Jason and the Nashville Scorchers ever did was going
to Lawrence, Kansas. We played Lexington, and then we drove out to
Lawrence. Lexington, Kentucky, and then we drove over to Lawrence.
Just a little bit of a drive there!
(Laughs.)
Mike: Yeah.
Jason: In those days, that wasn't
so bad. But, yeah, it was our first road trip. It was February of
1982.
Mike: Yeah, the actual date was February
12th. You actually played Friday and Saturday night here at Off the
Wall Hall. And that was the harbinger, the beginning of a lot of Friday
and Saturday night dates here in Lawrence. Either that, or you would
do a Lawrence/Kansas City doubleheader. And started steadily building
up a following. I was there for the first show, there in February
of 1982. I didn't know who you guys were. I just went down there to
see live music. And you guys
just blew me away.
Jason: Well, I remember that night.
I mean, we've done, how many thousand shows since then, but I really
do remember that first night in Lawrence. There was just a real -
I was really into the Civil War, and history, at the time. And you
know the John Brown history, of course. And the "Bleeding Kansas,"
and all that. So, going to Lawrence was so intense for me, you know.
And I was really over the top about it. Then, when we went to this
little club, and there were these people that really cared about music,
and stuff, and just checking out this new band from Nashville. It
was a very exciting night.
Mike: Yeah, I never thought about that.
Because Lawrence is, like, the heart of "Bleeding Kansas"
from the 1860's. We had lots of battles, as far as, you know, pre-Civil
War, and all that.
Jason: Yeah.
Mike: Quantrill's raid, and all that. I
never really took that into account, and I never realized that until
just now. That's very interesting.
Jason: Oh, yeah. It's a cool place,
and it's always...always been cool in that respect. But, also, more
so than anything, the fact that it's a great music town. And, at that
time - I mean, I don't know what it is like now, because I haven't
been there in a long time. But at the time in 1981, '82, '83, 1980
- it was, I mean, it was really a cool new place. You had, you know,
Frank's band - what was Frank's last name?
Mike: Frank Luce?
Jason: Frank, yeah, Frank Luce's band
-
Mike: Get Smart?
Jason: Get Smart was out of there.
And he was bringing, you know, a real awareness of that area to other
bands that were touring. And it was just a cool place. Had great little
record stores, and of course KJHK was one of the coolest radio stations
on the planet, at that time. It was breaking bands like X, and REM,
and Jason and the Nashville Scorchers, and Husker Du, and people like
that.
Mike: Mm-hmm.
Jason: Replacements. And it was one
of those leading - it was one of the stations that was playing all
those bands when no one else was yet.
Mike: Yeah. And KJHK was also the first
radio station to break a band like the Replacements -
Jason: Yes.
Mike: - who later went on to international
fame and notoriety. I remember when I saw the Replacements here. They
said, "Oh, this is the farthest we've been. We've been to Chicago,
but we've never been anywhere else." So...and, I think that was
the same way with the Scorchers, too, when they first played in 1982.
It's just amazing for me that, it's like, you guys - your first gig
was, what, New Year's Eve 1981?
Jason: Yes. It depends on how you
call the first gig. We did - I had a band which was called Jason and
the Nashville Scorchers in the summer of '81. But it wasn't any of
the same guys that later became the band. The first band with Perry
on drums, which we over the years kind of considered the first real
show, was New Year's Eve 1981.
Mike: 1981/1982.
Jason: Right.
Mike: And then, was it before then or right
after that when you put out the "Reckless Country Soul"
EP?
Jason: Right after that.
Mike: And then you hit the road, right?
Jason: Yes, that's right.
Mike: That was almost unheard of for bands,
even back in that era, because - most bands, like Lawrence bands,
would play here for a couple of years, and then they would stake out
on Midwestern tours, or anything like that. Was that the vision that
you had with the Scorchers-?
Jason: Yeah, we were absolutely fearless,
and had absolute belief in what we were doing. And we were willing
to go drive, like in the case of Lawrence, 600 miles to do a show
and make a hundred dollars. (Laughs, so does Mike.) And that's the
whole band, I'm saying. That's before expenses, so you can imagine
what that was. But, I mean, we would just - I mean, I had my old Ford
van, and as long as we had enough money for a tank or two of gas,
we'd play literally anywhere in the country. And sleep on floors,
and eat baloney sandwiches. And that's how we did it. And we were
- you know, it was - the band's strength was as a live band. And so
we were able to go into these places, and really make some noise,
and really get some excitement happening around the band. And it really
paid off. I mean, we were able to - before we ever had even a major
record out, we already had a following all across the country.
Mike: Yeah. I think the key there was,
like, just the constant touring. Because, the first show here in Lawrence
was to fifty people. As Bullet Magazine said - the local fanzine -
Bullet said: "Jason and the Nashville Scorchers played here to
fifty friendly folks here at Off the Wall Hall." And the next
show, you probably played to a hundred, then a hundred fifty after
that. And, next thing you knew, a year or two down the road, you were
selling out the Opera House to five or six hundred people.
Jason: Yeah, yeah. I remember the
first Opera House show, when we played - when we released Fervor,
the summer of '83, or so. That was the one that really, I think, put
us over the top. Or maybe that was 84, I don't remember.
Mike: Absolutely.
Jason: But, that was the show that
really cemented things for us.
Mike: Yes. And that's what - I just thought
that; I didn't know at the time what your future was, or anything,
and neither did you. But I thought that, I saw - I was witnessing
the next REM, or whatever. And things played out a different direction,
but I don't regret any of the early shows that you did - and all the
enthusiasm, and the over-the-top energy that just went on at those
shows at Off the Wall Hall.
Jason: Yeah, that was something I'll
never forget, you're - I have to concur with you on that. And you're
talking to a man who's played all over the world. And I still just
have these incredible memories of those Lawrence shows. I think it
peaked probably for us on that Opera House show, when we released
Fervor. I think that was the real high point. That's when the band
was at its - just on the verge of getting where we were to be later,
you know, later on down the road. Years later, but it was most intense
there in Lawrence.
Mike: Yeah, because a couple of years down
the line - about '86 or so, you guys did play Polk Auditorium -
Jason: I believe so.
Mike: - which is a 2,000 seat venue here
in Lawrence. Which no longer exists - it burned down.
Jason: Yeah.
Mike: Ironically, it burned down shortly
after you guys played there.
Jason: Yeah, well, we don't call it
the Scorchers for nothing! (Laughs.)
Mike: (Laughs.)
Jason: [Actually, it's] everywhere
we go! We start these fires, and their places burn down. We can't
play there any more, and our career goes to pot!
Mike: Yeah! And, the reason why I'm talking
to you, also, is because you have a concert scheduled in Nashville
for New Year's Eve.
Jason: That's correct.
Mike: It just came out about a month ago,
around Thanksgiving time, I think, when I first heard about it.
Jason: Yeah, it was just - we said
we weren't going to play, because we're just kind of old, and crotchety,
and don't want to go out and take chances on [changing] the millenium!
(Chuckling.) But the Exit/In just kept pestering us about it, and
finally just kept twisting our arms with lots of greenbacks, so (Laughing)...
and that's, really, frankly, what the reason why we said we'd do it.
Mike: Hey, I mean, if it works for the
Sex Pistols.
Jason: You know, I mean, it was so
much money involved, we had to do it. Because we just couldn't turn
it down. But after we booked the show, then, and started seeing the
sort of reaction in people that we were going to do this, all of a
sudden I was really glad that we did it, irrespective of the money.
'Cause I think it's going to be a really special night.
Mike: Oh, yes. And I know it's going to
be, because I'm going to be there myself. I'm flying down to Nashville
on that morning - New Year's Eve morning. And I'll be there, in the
flesh, at the Exit/In.
Jason: Excellent.
Mike: Just like I was there back in May,
for Dancing in the District.
Jason: Yeah, that's right.
Mike: I got down there, in Nashville, Tennessee.
First time I saw you guys in fifteen years.
Jason: Oh, boy.
Mike: Since the Opera House of 1984.
Jason: Well, that's funny, because
we - once the band started getting on the radio, and on MTV and stuff,
we quit playing Lawrence. We started playing Kansas City instead.
And we kept bypassing Lawrence, which was a mistake. We hit it a few
times later on, after the fire burned down, so to speak. But we really
should have kept playing Lawrence. I think that was a big mistake
we made.
Mike: Mm-hmm. Well, I won't comment on
that comment any way or the other. But...oh, about the Exit/In show
- how are rehearsals going for it?
Jason: Ah, well, we rehearse - we're
rehearsing as much for this show as we always have rehearsed for all
the shows we've ever done. And that's next to nothing. (Laughs.) We
don't rehearse, we never have. I mean, I can remember - well, in twenty
years, I can remember all our
rehearsals that we've done! (Laughs.) I can remember the two in '86,
and the one in '89, and the couple when we got back together in '95.
Yeah, we just don't believe in rehearsing, other than to work up songs.
We never practice - ever practice.
Mike: Yeah, the amazing thing, though,
about Jason and the Scorchers is that - you have a lot of fans here,
but many of the fans here in Lawrence don't know that you guys are
still around.
Jason: (Chuckling.) Yeah.
Mike: Or either that, or they just recently
realized. Because I've been a big promulgator of the Scorchers over
the air on these KJHK free-form shifts. For your information, Jason,
KJHK free-form is when KJHK alumni such as myself come back during
the semester breaks and take over the airwaves.
Jason: That's great. It's nice to
show us old folks are still kicking, you know? We haven't been put
out to pasture quite yet.
Mike: And - I told my friends the story
of how you guys got back together, oh, in about 1992, or something...
Jason: Mm-hmm.
Mike: ...with the original four members.
'Cause people ask me: "Is it still Jason? Is it still Warner?"
And I go, "yes," you know. And for a while there, for the
first few years, it was the original four members back together -
Jason: That's right.
Mike: - from about '92 until '96, or so.
Jason: Right.
Mike: Until Jeff decided to - Jeff the
bass player decided to...stay home?
Jason: Right, right.
Mike: And you recruited a new bass player
then, and...
Jason: Right. Yeah, we decided to
keep on going. I mean, it was a hard decision, because there was a
chemistry that that band had. It was undeniable. And more than a chemistry,
there was a history. You know, just this heritage that we had among
the four of us. But, we just felt like we still wanted to keep playing.
And so, with Jeff's blessing, we got another bass player. He actually
suggested that we do that, so we did it. And now I'm glad. 'Cause
we've now been playing - since then, that's been three years ago.
(Chuckles.) So, going on four years ago now, that Jeff left. So it's
almost like we've had almost another career here, in the last...
Mike: Because in the last three or four
years, you've not only put out a new CD, "Clear Impetuous Morning,"
on Mammoth Records. And also a live CD -
Jason: Right, right.
Mike: - "Midnight Roads and Stages
Seen," which is still available here in local record shops here
in Lawrence.
Jason: Yeah, that's a good introduction
to the band. If you've never heard the band, I think the live album.
'Cause it's got all those songs, all our best songs, from twenty years.
Mike: Mm-hmm. "Broken Whiskey Glass,"
"Harvest Moon."
Jason: Just all of them in one spot,
you know.
Mike: Yeah. Yeah, I do agree with you,
it's a good starting-off point. Because, you know, if somebody went
off the street and bought "A Blazing Grace," or something,
they might dig it, but they won't know the history of the band -
Jason: Right.
Mike: - from that record. So, do you have
any tricks up your sleeve for this coming New Year's Eve gig?
Jason: I haven't given much thought
as to what we're going to do yet, but...we tend to, our shows lately,
for the last year or so, have been pretty free-form. We just kind
of get up on stage and play whatever we want, so...I would imagine
we'll probably do the same thing.
Mike: Yeah, it's amazing you use the word
"free-form," because we're talking on free-form KJHK right
now! (Laughs.)
Jason: That's right. Yeah, we started
- we dropped - when Kenny came on, into the band, we just started
playing not even using show lists. We'd just walk on stage, and I'd
just holler out the songs as we go. Kind of like a quarterback doing
audibles.
Mike: Mm-hmm.
Jason: It makes it a little more
exciting for us. 'Cause we've - frankly, we've played "White
Lies" quite a few times now! (Laughs.) Doing that song isn't,
isn't - the buzz you get from it is not doing the song, it's being
able to mix it up, and things like that. And pull it out where you
want to pull it out.
Mike: Mm-hmm. Yeah, and...I can say this
because I'm a fan of your band. I've been a fan of your band for almost
eighteen years now, since - my entire adult life, you know. You guys
are the best live band I have ever seen. And you may or may not agree
with me as far as that's concerned. But - you got to know, Jason,
that there's something special going on while you guys are playing.
Because - I just see the way that you guys act, and react, during
a good Jason and the Scorchers show. And the chemistry is just there,
you know. It turns a good show into a great show, and it just sets
people on fire.
Jason: Well, thank you, Mike. I mean,
that's what we're trying to do, anyway. That's what we go on stage
to accomplish. And I think usually we can. It depends - it all depends
on the crowd, usually. If we have an audience that really wants to
accomplish the same thing we want to accomplish, in terms of really
making an exciting energy kind of night, it usually will happen, you
know. The only time we have problems - if it's an empty place, and
a bunch of people are just stuck in the back drinking beer, not caring,
you know. (Laughs.) Then it's a little harder for us.
Mike: Well, as far as like - I've only
seen you guys here in Lawrence about a dozen times, and the one time
in Nashville back in May. And I've never experienced that type of
Jason and the Scorchers show. So, I don't - I know that it probably
happens. I don't know what your least favorite place to play would
be, if it's maybe somewhere in a remote country or something...
Jason: Well it's...it seems to be...an
unpredictable thing, you know. It's a very organic band. You never
quite know when that real special one is going to happen. And when
we have one of those real special ones, we usually make fans for life
- the people who are there. And if it's a good show, we still may
be able to do that, if they're into that kind of music we play. But
there's those unpredictable ones - I never quite know why it happens.
I mean, why did it happen that first night in Lawrence, that launched
our career in Lawrence, you know? You just never quite know.
Mike: Because there weren't that many people
there.
Jason: No.
Mike: And, it was just a cold winter night;
just like it is now - it's pretty cold here in Kansas. I don't know
what the weather is like down there in Nashville. (Phone ringing.)
We have a phone call on the other line, but I'm going to ignore it
for the time being. But...I just don't know, it's just one of those
special things. It's like - the music scene back then here in Lawrence,
it was like...very underground. These days, it's more - I don't know
if "gentrified" is a proper word. But - it's like most towns
in the post-Nirvana age of 1991, or so. You had 500 bands that all
wanted to get signed to Sub Pop, and stuff. And the Lawrence scene
took a turn for the worse there, and it's getting somewhat better,
as far as people who are true to their roots, or stuff. But, it was
more - back in that day, it was more people who talked to each other.
Jason: Mm-hmm. It was a word of mouth
thing.
Mike: Yeah. Instead of having a 100,000
watt commercial radio station like KLZR - promoting large-scale concerts.
Jason: Right.
Mike: Which, actually - I think you remember
in the past that KLZR did promote the Scorchers a time or two. You
probably won't remember KLZR -
Jason: Oh, no, I remember it well.
It was one of my most embarrassing moments in music. It was one of
the last - I think the last big show we played - [at Houk, maybe]
- or one of the last big shows we played in Lawrence before the eighties
ran out. And it was at the height of our radio exposure, and stuff.
We had "Golden Ball and Chain" out, I think. And on stage,
I thanked KJHK, like I always did, and then I thanked them. And the
whole crowd started booing. (Laughs.) I thanked that one radio station
- the rock station.
Mike: Ah-ha! Yes. That was actually at
the Opera House. And I have a tape of that show, and the whole crowd
started booing, and -
Jason: (Laughing.) I knew - "That
was a mistake!"
Mike: Yeah, and - but you recovered quickly.
You said, "Hey, come on, give them a break. They're at least
playing the Scorchers, and that's a step in the positive direction."
Jason: There wasn't much I could say,
really, to save us at that point. I consider that one of the most
embarrassing moments I ever had. I just shouldn't have said anything,
you know! It was great. There probably wasn't a single person in that
crowd that ever listened to that commercial station.
Mike: Yeah, and -
Jason: But those guys are up there
in the balcony, drinking beer, and hanging out. The people at that
station. And the record company guy said, "You should thank them,
they're playing your record." I said, "Okay, no big deal."
And then everybody started booing! (Laughs.) Oh, what a moment. What
a great moment. 'What do you do now, Jason?'
Mike: Yeah, at least it's something to
laugh about.
Jason: Oh, yes.
Mike: But, let's go ahead and - I'm thinking
about - do you have a few more minutes or so?
Jason: A minute or two more. It's
about time to put my daughter to bed, so - should be kind of wrapping
it up.
Mike: Okay, right on. Let's go ahead and
try to cut a couple of Jason station ID's, then.
Jason: Excellent. This is the first
time that I've ever cut an ID actually live on the air, too.
Mike: Oh, okay. Because we do have an ID
of Jason and the Scorchers. I played it at the top of the hour. It's
like - you're the singing hog farmer for Jason and the Scorchers -
Jason: Boy, that's a great one there.
Mike: Yeah.
Jason: I don't know if I can top that.
Mike: Yeah, so - can you do one for my
show - Mike Blur's show, and then one for KJHK in general?
Jason: Okay.
Mike: And - just go for it, Jason.
Jason: All right. Howdy, folks! This
is Jason Ringenberg from Jason and the Scorchers. And when I'm in
Lawrence, Kansas, chasing the ghost of John Brown, I listen to Mike
Blur's show on KJHK, Lawrence, Kansas.
Mike: That's fantastic, Jason. And now
how about one for KJHK itself?
Jason: Hey, folks! This is Jason,
from Jason and the Scorchers. When I'm out in Kansas, out there chasing
some cows, soaking up the vibes on the prairie, looking around, sniffing
around for the ghost of Crazy Horse, I listen to KJHK, Lawrence, Kansas.
Mike: Thank you, Jason. And both of those
were legal station ID's!
Jason: Well, alrighty, Mike! I guess
we'll close off then, and I guess we'll see you in a couple of weeks.
Oh, by the way - I have - James Benkard sent me a tape of the show,
so you're going to have to bring me a tape of that first - that first
show that we did at -
Mike: The Opera House show, definitely
I will.
Jason: He just sent me a tape today
in the mail.
Mike: And I'm looking forward to meeting
you. We've met in the past, before. In the far distant past. Met back
when you met you met hundreds and hundreds of people across the United
States back in the early eighties.
Jason: Well, I met a few, that's
for sure. (Chuckles.)
Mike: And to close out this interview,
and I do appreciate you taking the time out to -
Jason: My pleasure, my pleasure.
Mike: - on a balmy Saturday night, so...I'm
going to go ahead and play a song off the "Midnight Roads and
Stages Seen" live double CD. And it's one of the raveups that
you typically play towards the end of the set - "If Money Talks."
Jason: All right. Cool.
Mike: Do you have a story behind the song?
How, maybe, when you wrote it, or when you played it?
Jason: Well, Perry, our drummer, wrote
that one. He had a tendency to write those really good raveups. Um,
right now I'm having Teletubbies stuck in my face, and they're playing.
(Background kids noise.) (Chuckling.) My kids are sticking Teletubbies
in my face.
Mike: (Chuckling.) It's kind of hard to
concentrate.
Jason: It's hard to concentrate when
you're having Teletubbies stuck in your face.
Mike: Oh, hey, I almost forgot. I got to
ask you one more question before you sign off. The activity that you
and Warner have on-stage is very dynamic. And, how many times have
you guys run into each other on-stage throughout the years, and have
you ever knocked one another out?
Jason: Yeah, I think in the early
days we did once or twice, yeah. Maybe a few more times than that.
Mike: Because, especially on the "Midnight
Roads" video, Warner almost takes your head off with his guitar
one time.
Jason: That was, yeah, that was...happened
more than...anything, usually, when he starts doing those spins.
Mike: Right on.
Jason: My kids are just making an
absolute mess of this interview. They're sticking Teletubbies in my
face here.
Mike: Okay. Well, I better let you go,
Jason. It was fun. We're going to go ahead and hear "Money Talks."
Jason: Okay. Mike, it was great talking
to you.
Mike: And I'll see you on New Year's Eve,
in Nashville, Tennessee.
Jason: Okay. And God Bless everyone
out in Kansas. Merry Christmas, Happy New Millenium, and keep on rocking,
KJHK.
Mike: And, same to you, Jason.
Jason: Bye-bye.
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