Jason and the
Scorchers
Clear Impetuous Morning
(Mammoth/Atlantic) **** (out of four)
By Todd Dawson,
The Express-Times (Pennsylvania) Music Section
Friday, October 11, 1996
Copyright 1996 - 2004 The Express-Times
Jason
and the Scorchers blazed the trail for country-punk/alternative-country
some 15 years ago. You know, the path since followed by the likes of
Son Volt, Wilco, the sorely missed Jayhawks, Soul Asylum and Ween. With
the 14 searing tracks of Clear Impetuous Morning, the Scorchers
play music with hell-bent menace and chilling insight.
Lead singer Jason Ringenberg spits out Oh what a rush on
the first track, Self-Sabotage, and from that point on the
band plays nothing but crash-and-burn rock. Expect no reprieve from
Jeff Johnsons slap-in-your face bass guitar or Warner Hodges
needling lead guitar. Going Nowhere is a country-swaggering
tale of trailer park romance gone violent and drug-addled with a glimmer
of redemption.
Victory Road, the bands [albums] first single,
is a furious rocker that charts a course to the exit ramp for freedom
and happiness. Equally volatile and angry is Kick Me Down
where Perry Baggs percussion adds punch to the tunes rambunctious
stance and Ringenbergs voice whelps in defiance. Emmylou Harris
joins Ringenberg on the acoustically sharp Everything Has a Cost,
a haunting tale of heartless love.
Theres a surprisingly sharp rock-pop edge to Uncertain Girl,
which teeter-totters over doubts that come in ending the wreckage
of a relationship. 2+1=Nothing traverses the same ground,
this time with a relentless country-rock beat, adding a new math
twist to a lover who cant shake an exs shadow.
The Scorchers devotion to brass-knuckles punk explodes in Walking
a Vanishing Line and the scattergun fury of Tomorrow Has
Come Today. This is rock as feverish and deadly as it gets from
a band that knows one fears the branding iron more than the scar.
Jason and the Scorchers will play Thursday at the North Star Bar, 27th
and Poplar streets, Philadelphia.
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